Off to AWP ’19! Catch me and this wonderful group of women essayists and teachers at our panel on Saturday, 3/30:
S129. I Teach, Therefore I Essay: Essaying the Classroom
D137-138, Oregon Convention Center, Level 1
Saturday, March 30, 2019
9:00 am to 10:15 am
Gail Griffin, Jennine Capó Crucet, Caitlin McGill, Mg Roberts, & Marjorie Gellhorn Sa’adah
Thrilled to learn that I’ve received an Artist Fellowship Grant from the Massachusetts Cultural Council/Somerville Arts Council! I’ve loved living and writing in the Somerville artist community for the past two years, and am so grateful for the award.
September 7th, 2018:
After returning from a beautiful two weeks at Bread Loaf, where I worked on the conference staff this year, it’s suddenly time for fall events to begin!
Really looking forward to being in conversation with Mimi Schwartz, author of the new essay collection, When History is Personal, at Porter Square Books. Please join us on September 17th at 7pm! Mimi will read from her new book, and then I’ll facilitate a conversation and Q&A. https://www.portersquarebooks.com/event/mimi-schwartz-when-history-personal
More on Mimi’s important collection:
“When History Is Personal contains the stories of twenty-five moments in Mimi Schwartz’s life, each heightened by its connection to historical, political, and social issues. These essays look both inward and outward so that these individualized tales tell a larger story–of assimilation, the women’s movement, racism, anti-Semitism, end-of-life issues, ethics in writing, digital and corporate challenges, and courtroom justice.”
June 13th, 2018:
Really excited to learn that my essay, “Window Curtains,” was named a finalist in the 2018 Iowa Review Award in Nonfiction, as well as the 2018 Hunger Mountain Creative Nonfiction Prize!
June 13th, 2018:
After an incredible two weeks at the Virginia Center for the Creative Arts, I’m finally settling back in at home and excited to keep my writing momentum going. I’m so grateful to the VCCA for the gift of time and space. And a whole lot of staring at (walls of) chapters.
June 7th, 2018:
Enrollment details here: “Registration begins now for our first workshop, in Creative Nonfiction, at the Boston Public Library’s Central Branch. Enrollment is free and spaces are limited. To sign up, contact: Programs@bpl.org”
May 10th, 2018:
I’ll be spending the next two weeks at a writing residency at the Virginia Center for the Creative Arts (VCCA). I’m really eager to meet the other fellows, and to focus on revising my memoir, Dogs Run Wild Here.
For published excerpts from my book, please visit my Writing page.
And for more information about my VCCA Fellowship, feel free to take a look at the press release below:
April 30th, 2018:
Overwhelmingly excited to learn that my essay and memoir excerpt, “Window Curtains,” is 1 of 3 Finalists in The Southampton Review’s 2018 Frank McCourt Memoir Prize. Thankful to all the readers and editors for their time, consideration, and this honor. Huge congratulations to all the winners and finalists!
April 16th, 2018:
Big thanks to Mike Steinberg for inviting me to contribute to his blog. I’m very grateful for the chance to expand my ideas on teaching and essaying in this piece, “I Teach, Therefore I Essay.” Thank you, Mike!
April 4th, 2018:
Such an honor to present with the incredibly talented and wise Alexandria Marzano-Lesnevich at GrubStreet’s 2018 Muse & the Marketplace Conference. I had so much fun discussing imagination and research during our talk, “Imagining the Gaps in Memoir: How to Write a Story When the Story Runs Out.” If you haven’t read Alexandria’s memoir yet, you must get your hands on The Fact of a Body: A Murder & a Memoir.
March 12th, 2018:
Still thinking about the incredibly nuanced, important talks my fellow panelists gave at our AWP ’18 panel, “A Question of Class: The Art of Writing from Below the Middle.”
I’m extremely grateful to our moderator, Jeannine Ouellette, and to panelists Jonathan Escoffery, Bao Phi, and Michael Torres. Their words are moving and vital–I urge you to read more of their work. It was an honor to present with them.
March 9th, 2018:
I’m honored to be joining this important AWP ’18 Panel: “A Question of Class: The Art of Writing from Below the Middle.” Very eager to hear from Jonathan Escoffery, Jeannine Ouellete, Bao Phi, and Michael Torres, and to discuss my work with Writers Without Margins and our commitment to increasing access to literary arts.
February 14th, 2018:
Thrilled to be named a finalist in The Chattahoochee Review‘s 2018 Lamar York Prize in Nonfiction. Thank you to the readers, editors, and contest judge, Sarah Gerard. And congrats to all the winners and finalists!
2018 Lamar York Prize Winners and Finalists
We’re grateful for the abundance of imagination and artfulness in this year’s Lamar York Prize entries. Thank you to all of the writers who entered, with a special thanks to our judges, Sarah Gerard for Nonfiction and Alexander Weinstein for Fiction.
Winner for Fiction
“A Day in Which Something Might Be Done,” Michael McGuire“A beautiful story reminiscent of the magical realism of Gabriel Garcia Marquez and Laura Esquivel. What captured me from the start was the confidence of the narrative voice and the lushness of the dream-sentences, which then give way to a story about love and healing, the inequities of indigenous life, and the prophecy of dreams. Gorgeous writing and masterful storytelling.”
Winner for Nonfiction
“Concaves,” Deborah Thompson“‘Concaves’ is a stirring recollection of love, cancer, racism, and war, interlocking like fluorescent-lit jigsaw pieces in a hospital waiting room. It is also a profound meditation on our metaphors for illness, as limited as they are necessary, and the tender connections among people bonded by grief. A penetrating reminder that life writes itself, it has continued to resonate with me long since I read the last word.”
Finalists for Fiction
“The Goddess of Beauty Goes Bowling,” Chaya Bhuvaneswar
“The Shark,” Dinah Cox
“The Hunger of the Very Rich,” Elizabeth Crowell
“Simultaneous Operations,” Wyatt Dowell
“Last Meal,” Molly Edmonds
“Deadly Astrologies,” Sacha Idell
“Schwinn King,” Terrance Manning
“Take Flight,” Connor McElwee
“Deadfalls,” Jeffrey Voccola
Finalists for Nonfiction
“The Wrack Line,” Mary Birnbaum
“Here Is How I Come Undone,” Caroline Burke
“26 Ways to Say Good-Bye,” Denise Duhamel and Julie Marie Wade
“The Future Perfect,” Michael Gracey
“Window Curtains,” Caitlin McGill
“Push,” Jeannine Ouellette
“How My Body Was Made,” Terry Ann Thaxton
“Biography of a Nickname,” Jeffrey Wasserboehr
“Specimen,” Amy Wright
February 3rd, 2018:
Wonderful afternoon of words at The Middle East!
February 3rd, 2018:
I’ll be a featured reader at the Dire Literary Series this February! Please join me and my talented co-readers, Dave Kiefaber and Anna Ross, at The Middle East Restaurant & Nightclub in Cambridge, MA. I plan to read from the opening pages of my memoir-in-progress.
November 2nd, 2016:
It was a pleasure to read at the St. Botolph Club Foundation’s “New Voices, New Vision” event on Wednesday. I’m immensely grateful to receive this Emerging Artist Award, which will help fund my next research trip to Latvia. This trip will be an essential part of my memoir project. You can find a list of the other five award recipients in Literature here, as well as a list of the recipients in Music and Visual Arts.
October 12, 2016:
I’m honored to be reading with Jerald Walker in the Faculty/Alumni Series at Emerson College on October 12th, 2016 at 4pm. Free and open to the public!
September 13, 2016:
I’ve just learned that my essay, “Silent Interrogations,” was named a notable essay in Best American Essays 2016!
I’m so grateful to The Southeast Review for publishing my essay.
August 8, 2016:
After embarking on a pilgrimage to Slovakia where part of my Jewish family emigrated from in the 1890s, the regional newspaper ran this article. Rough translation of the title: “American Arrives in Humenné to See Where Her Ancestors Came From.”
This journey will be a key part of my memoir-in-progress, Items to Survive.
I’m honored to have my story published in the language my ancestors once spoke. It’s striking to see my and my great-great grandmother’s name (Esther) in print, side-by-side.